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	<title>Comments for Varnelis › The Immediated Now</title>
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	<link>http://varnelis.networkedbook.org</link>
	<description>Network Culture and the Poetics of Reality</description>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Resources &#124; Jo Art</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-5581</link>
		<dc:creator>Resources &#124; Jo Art</dc:creator>
		<pubDate>Tue, 13 Oct 2015 02:02:42 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-5581</guid>
		<description><![CDATA[[...] http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/ [...]]]></description>
		<content:encoded><![CDATA[<p>[...] <a href="/the-immediated-now-network-culture-and-the-poetics-of-reality/" rel="nofollow">http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/</a> [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by 06.0 MNK@bendigo &#124; makingnetworkulture</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-5579</link>
		<dc:creator>06.0 MNK@bendigo &#124; makingnetworkulture</dc:creator>
		<pubDate>Fri, 11 Sep 2015 04:52:15 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-5579</guid>
		<description><![CDATA[[...] Network art in  Kazys Varnelis’, Networked  The Immediated Now: Network Culture and the Poetics of Reality [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Network art in  Kazys Varnelis’, Networked  The Immediated Now: Network Culture and the Poetics of Reality [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Blog #6 Network Culture &#124; Christina Hadley</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-5577</link>
		<dc:creator>Blog #6 Network Culture &#124; Christina Hadley</dc:creator>
		<pubDate>Thu, 16 Apr 2015 16:51:47 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-5577</guid>
		<description><![CDATA[[...] reading titled &#8220;The Immediated Now: Network Culture and the Poetics of Reality&#8221;discusses issues about the sociocultural shift from modernism to postmodernism and the shift from [...]]]></description>
		<content:encoded><![CDATA[<p>[...] reading titled &#8220;The Immediated Now: Network Culture and the Poetics of Reality&#8221;discusses issues about the sociocultural shift from modernism to postmodernism and the shift from [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Self-Exposure (From The Immediated Now) &#124; Philander Norwood</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-129</link>
		<dc:creator>Self-Exposure (From The Immediated Now) &#124; Philander Norwood</dc:creator>
		<pubDate>Fri, 22 Feb 2013 02:25:30 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-129</guid>
		<description><![CDATA[[...] Self-Exposure section of the reading, The Immediated Now: Network Culture and the Poetics of Reality, a contrast is drawn between the reality found on television and that found on the internet. In [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Self-Exposure section of the reading, The Immediated Now: Network Culture and the Poetics of Reality, a contrast is drawn between the reality found on television and that found on the internet. In [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by The Immediated Real &#124; Chelsea Kiffin</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-128</link>
		<dc:creator>The Immediated Real &#124; Chelsea Kiffin</dc:creator>
		<pubDate>Wed, 20 Feb 2013 16:26:30 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-128</guid>
		<description><![CDATA[[...] article The Immediated Now: Network Culture and the Poetics of Reality has a specific section of the article that was about how people in modern culture [...]]]></description>
		<content:encoded><![CDATA[<p>[...] article The Immediated Now: Network Culture and the Poetics of Reality has a specific section of the article that was about how people in modern culture [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Artist as Aggregator &#124; David Knapp Digital Media</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-127</link>
		<dc:creator>Artist as Aggregator &#124; David Knapp Digital Media</dc:creator>
		<pubDate>Wed, 13 Feb 2013 16:31:47 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-127</guid>
		<description><![CDATA[[...] The Immediated Now: Network Culture and the Poetics of Reality is part or chapter of the book networked: a (network_book) about (networked_art).  This particular chapter is by Kazys Varnelis.  I chose to summarize and respond to the section of this chapter called Artist as Aggregator for this post. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] The Immediated Now: Network Culture and the Poetics of Reality is part or chapter of the book networked: a (network_book) about (networked_art).  This particular chapter is by Kazys Varnelis.  I chose to summarize and respond to the section of this chapter called Artist as Aggregator for this post. [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Metcalfe&#8217;s Muddle &#171; Metaphortean Space</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-120</link>
		<dc:creator>Metcalfe&#8217;s Muddle &#171; Metaphortean Space</dc:creator>
		<pubDate>Fri, 18 May 2012 05:59:18 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-120</guid>
		<description><![CDATA[[...] This is phenomenology carried out in/for globally networked culture, the seductive sedatives of immersion and haptic interfaces produce echoes and doublings that reveal the deterrance of distance, deployed to meet the demands of dromomaniacal domestics.  In Pfieffer&#8217;s work, students in Manilla recite Holt&#8217;s originally off-the-cuff observations, a variant on their usual speech training exercises.  All geared towards the tuning of their tongues to Americanized accents, aspiring to the preferences of call centers, and by proxy the clientele that prefer global connectivity collapsed into local linguistic cues, a kitsch variant of network realism, or a garbled dub of Varnelis&#8217;s Immediated Now [...]]]></description>
		<content:encoded><![CDATA[<p>[...] This is phenomenology carried out in/for globally networked culture, the seductive sedatives of immersion and haptic interfaces produce echoes and doublings that reveal the deterrance of distance, deployed to meet the demands of dromomaniacal domestics.  In Pfieffer&#8217;s work, students in Manilla recite Holt&#8217;s originally off-the-cuff observations, a variant on their usual speech training exercises.  All geared towards the tuning of their tongues to Americanized accents, aspiring to the preferences of call centers, and by proxy the clientele that prefer global connectivity collapsed into local linguistic cues, a kitsch variant of network realism, or a garbled dub of Varnelis&#8217;s Immediated Now [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Jessica Hart</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-115</link>
		<dc:creator>Jessica Hart</dc:creator>
		<pubDate>Tue, 13 Sep 2011 16:24:18 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-115</guid>
		<description><![CDATA[Scott Hug&#039;s use of color from forecasting is interesting; however the word &quot;pallet&quot; means a wooden skid used with a fork lift. The word you need is &quot;palette&quot; which is a collection of colors.]]></description>
		<content:encoded><![CDATA[<p>Scott Hug&#8217;s use of color from forecasting is interesting; however the word &#8220;pallet&#8221; means a wooden skid used with a fork lift. The word you need is &#8220;palette&#8221; which is a collection of colors.</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by Where infoviz aestheticizes quantified d&#8230; &#171; Status_Quote</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-113</link>
		<dc:creator>Where infoviz aestheticizes quantified d&#8230; &#171; Status_Quote</dc:creator>
		<pubDate>Thu, 13 Jan 2011 15:42:31 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-113</guid>
		<description><![CDATA[[...] http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/  &#160; LikeBe the first to like this post. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] <a href="/the-immediated-now-network-culture-and-the-poetics-of-reality/" rel="nofollow">http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/</a>  &nbsp; LikeBe the first to like this post. [...]</p>
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		<title>Comment on The Immediated Now: Network Culture and the Poetics of Reality by dj_enkidu</title>
		<link>http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/#comment-112</link>
		<dc:creator>dj_enkidu</dc:creator>
		<pubDate>Mon, 20 Dec 2010 07:29:43 +0000</pubDate>
		<guid isPermaLink="false">http://varnelis.networkedbook.org/?p=19#comment-112</guid>
		<description><![CDATA[I don&#039;t think making the statement &quot;Postmodernism called high and low into question&quot; followed by the examples of Warhol, Kruger, Sherman, Koons, etc. is a fair one. Just because what these artists did looked like &quot;low&quot; does not necessarily mean that they merged or blurred the distinctions between high and low. That could have been the aim of the postmodernist theorists, but not these artists. What they did was appropriation. They appropriated what people thought would belong to high culture, hijacked them to the realm of the &quot;high&quot;. Warhol had a different identity as a commercial artist earlier in his career and quit to become a fine artist later, in other words he chose the &quot;high culture&quot; over the &quot;low&quot;. Likewise, Jeff Koons did not praise the kitsch as it is widely misunderstood, he simply appropriates. I think the key here is talking about these artists without considering appropriation. Neither of these are craftsman, they are not image-makers as opposed to the anonymous designers/artisans they appropriate from. In these examples, low culture creates the images for commercial purposes and high culture merely decontextualizes them. Calling this practice &quot;questioning the high vs. low&quot; is as ridiculous as describing Duchamp&#039;s urinate as &quot;blurring the boundary between plumbing and sculpture&quot;.]]></description>
		<content:encoded><![CDATA[<p>I don&#8217;t think making the statement &#8220;Postmodernism called high and low into question&#8221; followed by the examples of Warhol, Kruger, Sherman, Koons, etc. is a fair one. Just because what these artists did looked like &#8220;low&#8221; does not necessarily mean that they merged or blurred the distinctions between high and low. That could have been the aim of the postmodernist theorists, but not these artists. What they did was appropriation. They appropriated what people thought would belong to high culture, hijacked them to the realm of the &#8220;high&#8221;. Warhol had a different identity as a commercial artist earlier in his career and quit to become a fine artist later, in other words he chose the &#8220;high culture&#8221; over the &#8220;low&#8221;. Likewise, Jeff Koons did not praise the kitsch as it is widely misunderstood, he simply appropriates. I think the key here is talking about these artists without considering appropriation. Neither of these are craftsman, they are not image-makers as opposed to the anonymous designers/artisans they appropriate from. In these examples, low culture creates the images for commercial purposes and high culture merely decontextualizes them. Calling this practice &#8220;questioning the high vs. low&#8221; is as ridiculous as describing Duchamp&#8217;s urinate as &#8220;blurring the boundary between plumbing and sculpture&#8221;.</p>
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